What Was the Renaissance Like Essay Example For Students

What Was the Renaissance Like Essay The term Renaissance is from the same French word, meaning rebirth. It comes from the Italian Reenactments, Re meaning again and nascence meaning be born. The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages (Tuscany) and later spreading to the rest of Europe. Its influence affected literature, philosophy, art, politics, science, religion, and other aspects of intellectual enquiry. As a cultural movement, the Renaissance period encompassed a rebellion of lassie-based learning, the development of linear perspective in painting, and gradual but widespread educational reform. Traditionally, this intellectual transformation has resulted in the Renaissance being viewed as a bridge between the Middle Ages and the Modern era. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo dad Vinci and Michelangelo, who inspired the term Renaissance man. We will write a custom essay on What Was the Renaissance Like specifically for you for only $16.38 $13.9/page Order now The leading intellectual trait of the era was the recovery, to a certain degree, of the secular and humane philosophy of Greece and Rome. Another humanist trend which cannot be ignored was the rebirth of individualism, which, developed by Greece and Rome to a remarkable degree, had been suppressed by the rise of a caste system in the later Roman Empire, by the Church and by feudalism in the Middle Ages. Medieval Christianity restricted individual expression, fostered self-abnegation and self-annihilation, and demented implicit faith and unquestioning obedience. Furthermore, the Church officially ignored man and nature. Http://www. Timpani. Com/renaissance. HTML Literature (characteristics): Emphasis on classical studies in the expanding universities. -Increasing literacy among the laity. -Learning increased rapidly. -New schools were founded throughout Britain, in rural villages as well as cities. -Growth of a critical, skeptical type of scholarship, leading to scientific inquiry. -Increasing trade leads to individual wealth, general prosperity, nationalism, and materialism. -Gradual movement from unquestioned religious beliefs toward a more human- centered philosophy. Emphasis on human potential, not Gods power, believing ones role in life should be action, not religious contemplation. Language: English had triumph over French as the spoken language. It became the language of scholarship, replacing Latin, and the language of theology. It had no bounds to its development. As regards vocabulary, much growth came from the learned words borrow ed from Latin and Greek, but explorers and overseas tradesmen brought an influx of words from many foreign languages. New words were invented daily. Spelling was erratic. In pronunciation, many words were stressed on different syllables from the ones currently emphasized. Changes in grammatical elements: -Pronouns: ye was replaced by you. -Verbs: the endings the changed to s. . Explain how the Philosophy of Humanism differs from the ideals held during the Middle English Period. Humanism is a system of thought that considers that solving human problems with the help of reason is more important than religious beliefs. It emphasizes the fact that the basic nature of humans is good. It is secular-minded religion is no longer the orientation. Humanism was not a philosophy per SE, but rather a method of learning. In contrast to the medieval scholastic method, which focused on resolving contradictions between authors, humanists would study ancient texts in the original, typically Ritter in Latin or ancient Greek, and appraise them through a combination of reasoning and empirical evidence. A) Mention the key representatives among Humanists writers -Sir Thomas More: he was a humanist and lawyer, the first layman to become Chancellor. Best known for his work Utopia (no place or good place), which tells of an ideal state with the truly representative government. It was written in Latin, addressing to all scholars in Europe (names were in Greek). He describes his ideas of a perfect society. His work gave rise to the Utopian literature (new genre), presented as an ideal of perfection. Tyndale: was the first translator of the Renaissance, a defender of the faith who creates new words that didnt exist in English. His work as a translator was opposed in England and he was forced to live in Germany, where he produced the first English version of the Bible between 1525 and 1531 King James: made the first authorized version of the Bible. He used an archaic language so as to sound formal, show respect, and create a more distant atmosphere. It was a collected work of all the previous translations. Sir Thomas Eliot: with The book named the Governor -Protestant/Anglican: Tyndale, Coverall Protestant/Calvinist: Geneva Bible -Catholic: Today Bible b) Focus on Thomas More and explain why his Utopia is a Renaissance literary work Sir Thomas Meres most famous work is essentially a dialogue between More, and an imaginary character Raphael Hathaway. In the conversation between the two men, More learns that Hathaway is a traveler who has been all over the world with America Vesuvius and had been left to explore the island of Utopia (nowhere). Hathaway explains how life in England has many evils in society in all aspects of life from political to social aspects. He then explains how the people of Utopia handled Hess everyday problems to make it the perfect nation. Sir Thomas Meres Utopia is a satire the name Raphael Hathaway meaner dispenser of nonsense-. The book also makes fun at many aspects of society in England during the time period such as the severity of criminal law and the growing luxury of the wealthy class at the expense of the poor classs life of increased hardship. More can successfully accomplish the feat of criticizing the government because the character that is making the critical analysis of England is made up. By using this technique in Utopia, More can publicize his own thoughts on the nation thou being called out for treason to the crown. 3. Focus on the Sonnet Sonnet: short song, a lyrical poem in 14 lines. ) How does the Patriarchal sonnet compare to the Elizabethan sonnet? Patriarch wrote sonnets that consider love in an early renaissance sense; that is, they idealism the beloved lady, and they focus on the divine qualities she possesses, while lamenting the pain the speaker feels in not being with her. Each sonnet of fourteen lines considers one proposition in the opening octave of eight lines, and then considers the reverse or opposing view in the final sestets, or six lines. The switch from one view to its opposite is called the Volta. Shakespeare wrote sonnets in a much later period, and pokes fun at the idea that his beloved lady could possibly represent divine beauty. In addition, he took the English form of the sonnet, developed by the Earl of Surrey and Thomas Wyatt, which included a final rhyming pair of lines, called a rhyming couplet. Shakespeare then pursued the same proposition throughout the entire sonnet until the very end, often pushing the Volta to the final couplet. -Structure of the Sonnet Patriarchal sonnet: -Each line has 5 feet consisting of either one unstressed syllable followed by en stressed syllable (iambic pentameter). .u7017b592363ce78b369e7be2cb6577ad , .u7017b592363ce78b369e7be2cb6577ad .postImageUrl , .u7017b592363ce78b369e7be2cb6577ad .centered-text-area { min-height: 80px; position: relative; } .u7017b592363ce78b369e7be2cb6577ad , .u7017b592363ce78b369e7be2cb6577ad:hover , .u7017b592363ce78b369e7be2cb6577ad:visited , .u7017b592363ce78b369e7be2cb6577ad:active { border:0!important; } .u7017b592363ce78b369e7be2cb6577ad .clearfix:after { content: ""; display: table; clear: both; } .u7017b592363ce78b369e7be2cb6577ad { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7017b592363ce78b369e7be2cb6577ad:active , .u7017b592363ce78b369e7be2cb6577ad:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7017b592363ce78b369e7be2cb6577ad .centered-text-area { width: 100%; position: relative ; } .u7017b592363ce78b369e7be2cb6577ad .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7017b592363ce78b369e7be2cb6577ad .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7017b592363ce78b369e7be2cb6577ad .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7017b592363ce78b369e7be2cb6577ad:hover .ctaButton { background-color: #34495E!important; } .u7017b592363ce78b369e7be2cb6577ad .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7017b592363ce78b369e7be2cb6577ad .u7017b592363ce78b369e7be2cb6577ad-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7017b592363ce78b369e7be2cb6577ad:after { content: ""; display: block; clear: both; } READ: The Roaring Girl Essay QuestionsEach line has 10 syllables in all. -The poem is divided into two parts: the octave (8 lines divided in two groups of 4 lines) and the sestets (6 lines divided in two groups of 3 lines). -Between the octave and the sestets two main ideas are compared Octave: presentation, problem, argument, question. Sestets: solution, conclusion, answer. Or balance -The rhyme scheme at the end of each line of the octave is: baobab; the sestets often varies, CDC or ceded. Elizabethan, Shakespearean or English sonnet: -Each line is in iambic pentameter. The poem is divided into four parts: 3 quatrains (4 lines each) and a final couplet (2 lines). -The rhyme scheme is usually: ABA CDC fee / egg Shakespeare. ABA Bcc CDC / e Spencer. Http://suites 01 . Com/article/differences-between-the-patriarchal-and-the- Shakespearean-sonnet-a374838 b) Why can sonnets be equated to miniatures? C) Which is the function performed by the rhyming couplet in 16th century sonnets? The 6th-century sonnets were written to display the great cleverness, sophistication, and skill of the poet. Generally speaking, sonnets were more self- centered than their love rhetoric might initially suggest. Although they often purport to express private emotions from the poet to a beloved, they were usually meant not for private communication, but for public consumption amongst a circle of Courtly readers. In other words, they were written to impress others rather than to convey genuine emotion. The great majority of 16th-century sonnets were written to explore unrequited romantic love. It was assumed that the speaker would be a besotted man and the beloved a resistant, disdainful, or otherwise unavailable woman. The speaker spends much of his time trying to persuade the beloved to sleep with him. Patriarch developed a number of conventions for describing loves varied pleasures and torments and the beauty of the beloved. Sonnets abound in wordplay: puns, double-entendre, multiple meanings, and clever figures of speech. The most common figures of speech used in 16th-century sonnets include the conceit, the blazon, and personification. Http://www. Lima. Ohio-state. Du/debarks/sonnet. HTML d) Which are the current themes in sonnets? Compare Patriarchal themes to Shakespearean themes. Courtly love: love as pain (unrequited); love as a labyrinth; love as passion stronger than will; loves as chains you cannot escape. Art. -Time: poetry could stop the passage of time preserve a particular moment. -Death. -Historical figures -Love at first sight, obsessive yearning and loveliness, frustration, love as parallel to feudal service; Patriarchal themes: The lady as ideally beautiful, ideally virtuous, m iraculous, beloved in heaven, and destined to early death; Love as virtue, love as idolatry, love as sensuality; The god of love with his arrows, fires, whips, chains; War within the self- hope, fear, Joy, sorrow. Conceits, wit, urbane cleverness; disputations and scholastic precision; Allegory, personification; Wooing, exhortation, outcry; Praise, blame; self-examination, Self-accusation, self-defense; Repentance and the farewell to love. Shakespeare themes: One interpretation is that Shakespearean sonnets are in part a pastiche or parody of the three-centuries-old tradition of Patriarchal love sonnets; Shakespeare consciously inverts conventional gender roles as delineated in Patriarchal sonnets to create a more complex and potentially troubling depiction of human love. He also violated many sonnet rules, which had been strictly obeyed by his fellow poets: he plays with gender roles, he speaks on human evils that do not eve to do with love, he comments on political events, he makes fun of love, he speaks openly about sex, he parodies beauty, and even introduces witty pornography e) Account for the main contributions made by renaissance consenters: Wyatt, Surrey, Lily, Sidney and Spencer. To do so, focus in the themes these consenters privilege and the main devices they employ. Provide 2 examples of their poetry. ** Wyatt: Betrayal is a prevalent theme in Watts work. Typically, the narrator is the wronged person and the poem serves to expose betrayals involving affairs of the heart along with political and social treachery. In Watts work, the fickle nature of women can rear its head at any time and a courtier could be given the cold shoulder on the whim of the king especially true in Henry Vics time. For example, in They Flee From Me, the narrator details being forsaken both by a woman he loved and by acquaintances who once sought his guidance. Watts narrators experience lash out from the pain but also dejectedly accept their position. In My Heart I Gave Thee, the narrator realizes that to pursue the one who wronged him is pointless. Still, the betrayed are not without their cutting words and extreme motions. Lug! My Fair Falcon, believed to have been written during Watts imprisonment, contains vivid imagery (like lice away from dead bodies they crawl) to illustrate the cruelty of betrayal. Even God abandons him. He follows Patriarchal theme of courtly love ** Henry Howard, Earl of Surrey The tight rhyme scheme is not Surreys only sonic device: theres plenty of alliteration, too. Brittle beauty, tickle treasure, slipper in sliding, Jewel of Jeopardy are among the most noticeable examples, but almost every line makes use of the device to some degree. Influenced by Wyatt, he popularizes English form of sonnet while adding the theme of nature. He did much to establish the tradition of courtly concerned with arts and letters. He translated the Amended, making first use of blank verse (unrushed iambic pentameter). ** Jo hn Lily He is best known for Pushes (puppyish style) which has trivial and twisted plots but was read for its alliterative style and extravagant language. He is involved in the writing of Drama. He takes his imagery from classical learning. There are classical allusions, symmetry, parallelism, alliteration. People loved it so much that he wrote a second part of Pushes. * Sir Philip Sidney He was the first English literary critic. He argues that poetry has the function of both teaching and delighting. The great end of learning is the living of a virtuous life, and the inspired poet can lead readers to the highest truths. Prose: -Arcadia: as Lily, he uses the prose for ornamental use and has a twisted plot. Device used: pathetic fallacy, beyond personification. .u3389dafea939ebc5826ce52ee3cba031 , .u3389dafea939ebc5826ce52ee3cba031 .postImageUrl , .u3389dafea939ebc5826ce52ee3cba031 .centered-text-area { min-height: 80px; position: relative; } .u3389dafea939ebc5826ce52ee3cba031 , .u3389dafea939ebc5826ce52ee3cba031:hover , .u3389dafea939ebc5826ce52ee3cba031:visited , .u3389dafea939ebc5826ce52ee3cba031:active { border:0!important; } .u3389dafea939ebc5826ce52ee3cba031 .clearfix:after { content: ""; display: table; clear: both; } .u3389dafea939ebc5826ce52ee3cba031 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3389dafea939ebc5826ce52ee3cba031:active , .u3389dafea939ebc5826ce52ee3cba031:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3389dafea939ebc5826ce52ee3cba031 .centered-text-area { width: 100%; position: relative ; } .u3389dafea939ebc5826ce52ee3cba031 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3389dafea939ebc5826ce52ee3cba031 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3389dafea939ebc5826ce52ee3cba031 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3389dafea939ebc5826ce52ee3cba031:hover .ctaButton { background-color: #34495E!important; } .u3389dafea939ebc5826ce52ee3cba031 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3389dafea939ebc5826ce52ee3cba031 .u3389dafea939ebc5826ce52ee3cba031-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3389dafea939ebc5826ce52ee3cba031:after { content: ""; display: block; clear: both; } READ: HISTORY TEST EssayHe gives inanimate objects willing and feelings of their own. He uses imagery from nature sounds more fresh. Poetry: -Catastrophes and Stella: first sequence of related sonnets in English. Catastrophes (star lover) Stella (star) *Edmund Spencer: He was the first important modern English poet. His poetry continues in the allegorical verse tradition of the Middle Ages. His allegories, however, were much more complex than previous ones on three levels: moral, historical, and personal. Allegories were suggested by the characters names: Vanity, Queen of Pride, Gluttony. Readers should be alert to the multilevel meaning of each character. Spencer divides a nine line stanza, rhyming Babcock, now known as the Spenserian stanza. The first eight lines of the stanza are in iambic pentameter, the last is an Alexandrine (iambic hexameter). Faerie Queen: culmination of allegorical tradition. It brings together history, folklore, patriotism, political thought, humanism, Protestant idealism, epic and romance, etc. Amaretto: a sonnet sequence f) Analyses The Hind by Wyatt and the sonnet that begins Since brass, nor stone By Shakespeare. The Hind by Wyatt Wyatt uses the sonnet form, which he introduced to England from the work of Patriarch. The Patriarchal sonnet typically has 14 lines. The first 8 lines, or octet, introduce a problem or issue for contemplation and the remaining six lines, or sestets, offers a resolution or an opinion. Wyatt uses iambic manometer. This meaner that there are five pairs of syllables, each with the stress on the second syllable. It is the most common rhythm used in traditional poetry and was used by Shakespeare in his sonnets, poems and plays. Iambic pentameter, though a regular rhythm, was thought to be closest to ordinary speech patterns, so it is an attempt to imitate but also elevate the sounds of everyday conversation. By opening the poem with a question, the narrator challenges the reader. There is an invitation in his words, and the use of an exclamation mark at the end of the first line implies excitement at the idea. As hunting was a popular pastime in the court of Henry VIII, this suggests a poem along the lines of Henry Vics own most famous lyric, Pastime With Good Company. However, problem within the octet is revealed in line 2 as the poet tells us that he is no longer part of the hunt. An exclamation mark is used in line 2, again to emphasize emotion, but this time frustration and regret. This is a passionate yet contradictory introduction. Line 3 makes use of assonance to reveal the poets earlier hunting efforts as Vain travail which has tired him out to the point of physical pain. We can see that the memo is an extended metaphor for the end of a relationship. The metaphor is an excellent choice in terms of the Tudor court and the possible situation to which it is attributed. The poet is now at the tail end of the pursuit, although, he says in line 5 that his mind has not deviated from the hunt. Wyatt makes use of enjambment (breaking a phrase over more than one line of verse) and caesura (concluding a phrase within the first half of a line of verse) across lines six and seven to highlight the discord represented by the end of the relationship as he subverts and challenges his own chosen structure. In line 8, the poet uses the concluding line of the octet to stress the futility of his former quest. He uses the metaphor of catching the wind in a net to emphasize the pointlessness of his chase. The final sestets begins with line 9 reiterating the appeal to those who wish to join the hunt, but he continues in to line 10 to explain that the pursuit will be in vain for them too. Again there is an exclamation mark to indicate an intensity of feeling. Line 11 continues the extended metaphor as an explanation of why his hunt of this hind, and that of others who pursue her, is so pointless. She has a bejewel collar, indicating she already has an owner. Her collar is adorned with the Latin phrase Noel Me teenager meaning touch me not. This expression refers to a phrase spoken by Jesus to Mary Magdalene in the Bible. The design also includes the name of her owner for Careers I am. If we identify the poem as referring to Anne Volley, then her new owner would be King Henry VIII; the pair were married around the time when this poem was composed and Wyatt could no longer compete for her affections. By describing Henry using the allusion of Caesar, Wyatt bestows on his monarch the qualities of a reputation of greatness and incisive rule. Caesar was, like Henry, a leader early in late teens, a handsome and strong young man and was significant in the political and aesthetic changes and developments of his realm. Both were literate, charismatic and influential. However, other less favorable parallels can be drawn. Both Caesar and Henry VIII incurred huge debt during their respective offices. There were many subjects who were held captive, sometimes executed, on charges of treason. Caesar faced questions regarding his sexuality and his unsuitable choices of women. Wyatt may also be alluding to these less appealing aspects of Caesar in his comparison if we see the suasion in the poem to be borne of frustration and anger. Http://www. Graveside. Mom/collected-poems-of-sir-Thomas-Wyatt/study- guide/sections/ Sonnet 64 discusses the lofty towers I see down-razed, the brass which is eternal slave to mortal rage, or a victim to war, and the destruction of the kingdom of the shore by the hungry ocean. Here again, brass, nor stone, nor earth, nor boundless sea can escape the ravages of time. Line 3 asks, How with this rage shall beauty hold a plea, characterizing beauty as the plaintiff in a legal dis pute. Time is thus characterized as an unfair warrant, against which delicate beauty stands no chance in court. The legal terminology is continued in the following line with the use of the word action. The idea of times rage links Sonnet 65 to the previous sonnet. In Sonnet 64, brass is described as an eternal slave to mortal rage. The term rage in association with time is also seen in Sonnet 13, which refers to the barren rage of deaths eternal cold. Lines 6-8 present a metaphor of the seizure of a city, which would be the final destruction of war. In line 6, the wrathful siege of battering days, refers to ruin and

Analysis of an ideal governmen essays

Analysis of an ideal governmen essays Niccolo Machiavelli, the author of a well known political essay, The Prince, was a republican in Italy when his country was divided into city-states. He wrote this essay in prison, and tried to inspire the ruler to defend his country and maintain his power. Confucius, one of the greatest Chinese philosophers, wrote The Sacred Books of Confucius. In his essay, he taught his students how to be a virtuous ruler and how to set up a good example to govern his people. They both had some different opinions about human itself , the character of a ruler, and the issue of the punishment of the disobedient. While Confucius believed a virtuous ruler should make a good example for his innocent people, and reform or educate them to be the greatest follower and to be loyal to himself, Machiavelli thought that since all humans are evil, Confucius ¡Ã‚ ¯s idea of setting up a good example for the people would not changed the basic character of human being instead an experienced ruler should be feared from everyone when he appeared to be faithful for them. In Confucius ¡Ã‚ ¯ essay, he showed his love for all humans kind. He believed human nature can be good, that human beings are born with no given, definable nature at all and are therefore infinitely malleable. He stated that  ¡Ã‚ ° the virtue of the prince is the wind, and that of the common people the grass. The grass bends in the direction of the wind  ¡Ã‚ °(197). He compared human beings to the grass, who always follow their example or leader and go the same direction as he is. He viewed a human being as a natural creature whose nature could be explained causally in terms of impressions coming from the environment. By the meaning of the following, Confucius believed human nature also can be taught. It can be changed from evil to good, from dishonest to upright. When his student asked him  ¡Ã‚ °what more shall be done for the people? ¡ He replied  ¡Ã‚ °enrich them!...

MGT 302 MOD 2 CA Essay Example | Topics and Well Written Essays - 750 words

MGT 302 MOD 2 CA - Essay Example Based on the various explanations that the author has provided for each of these successful women, one common aspect among all of these ladies is that each of them uses either one of the five forms of power as explained by French and Raven (Changing Minds). Here in order to effectively compare each of these successful ladies, the paper will detail their style and method adopted individually. This will provide a complete overview of each of their styles and will also provide a clear comparison of the styles adopted by each of them. Individual Analysis: Here each individual will be analysed individually. This will help give a clear idea of the style used by the individual and will help gain a clearer difference among all the ladies. Sharon Patrick clearly uses the Coercive power as her mode of gaining real power in her work place. This she uses to gain the power and to also gain an upper hand when compared to her male counterparts. Sharon has shown the strength and confidence that she has and has used this power to her benefit (Muoio). Linda Chavez-Thompson as well uses her coercive power to deal with her work place. Considering her role this is an ideal power to use to keep in complete control in the work place. It is however essential to note here that her style is apt for her job. Linda Chavez-Thompson however does have a mixed role of coercive as well as expert power. She shows here expertise and used this to move up to the current position. Jessica Bibliowicz on the other hand, unlike the other ladies uses the reward power as her tool to gain the real power within the company (Brooks). This she believes is the best method to get the work done and is her secret to success. Janice Gjertsen uses a combination of the legitimate and referent power. Her ideas are clear and unlike the others she focuses on being herself to best extent and to keep up the characteristics of a true women rather than trying to be someone else all together. Katherine D'Urso unlike all t he above mentioned ladies focuses on the legitimate power. She is clear with her goals and does not believe in asking for help, but in doing things in the right manner from the beginning (Muoio). She follows rules and ensures that all the work in line with law. Michelle Bernard is a person who uses legitimate and referent power. She has had her goals and an aim set down firm and is clear in her mind of what she aims at achieving. Her style of leadership is more transactional in nature. Harriet Rubin follows the style of referent power. This proves to be effective as she works in an industry which is led by men. She clearly adopts a transformational style for herself and tries to blend herself to the market as that is the only sure shot manner of being a part of the industry and gaining a strong position in the company (Muoio). Kathryn Gould is among the few who follows a different approach at the work place. She has adopted a charismatic leadership. She uses her natural charisma to reach out to the people and to get work completed. Her style of leadership is clearly very different from the rest. Sara Levinson has shown a very different form of leadership. She uses a participative leadership style and is focused on developing a strong team with the involvement of all. For instance here in this case of what type of leadership she uses, she consulted here team (Mullins). This is clearly a participative leadership style. Kathy Kane-Zweber uses a coercive form of leadership for her work

Pennsylvania's Long Term Care Facilities Essay Example | Topics and Well Written Essays - 2750 words

Pennsylvania's Long Term Care Facilities - Essay Example Although these care facilities had been designed to provide care that provided more care available in private homes and less than that available in the hospitals, persons living in long-term care facilities are still the victims of physical, emotional, sexual, or financial abuse (Tatara, 1993). Neglect of the residents in that sense legally construes abuse. In this assignment, abuse and neglect in Pennsylvania's long term care facilities will be critically examined from the point of view of exploring the causes and status of it in the state of Pennsylvania and what law can do to prevent it. To this end, it is imperative to have the legal definitions of these terms need to be established first for the reader's benefits (Underwood, 2005). Caretaker: Under schedule 10225.103 of Pennsylvania Law means an individual or an institution that has assumed the responsibility for the provision of care needed to maintain the physical and mental health of an older adult. This responsibility may arise in several conditions. It may arise voluntarily, by contract, by receipt of payment in lieu of care provided, out of family relationship, or by the order of court of competent jurisdiction. This act, however, mentions that it does not intend to impose responsibility on any individual who is not legally responsible for such (National Research Council, 2003). Older Adult: Most of the older adults are residents of long-term care facilities. The same Pennsylvania law defines an older adult to be a person within the jurisdiction of the Commonwealth who is 60 years old or older than that. Therefore, older adult who is in need of protective services would be an incapacitated adult who would be unable to perform activities or obtain services that are necessary to maintain psychological and physical health and wellbeing, for whom there is no responsible caretaker, making him vulnerable to the imminent risks of danger to his person or property (National Research Council, 2003). Abuse: Under the same section of law and also under section 672, abuse is defined as one or more of the following acts. These include infliction of injury, unreasonable confinement, intimidation, and/or punishment that may result into physical harm, pain or mental anguish. This may also include the willful deprivation by a caretaker or caretaker organization of goods or services that are necessary for maintenance of physical or mental health. Moreover Protection from Abuse act, 1976, also includes in this category acts of sexual harassment, abuse, or rape. However, the law excludes the grounds of uncontrollable environmental factors such as housing, furnishings, income, clothing, and medical care (National Research Council, 2003). Neglect: In this law, neglect means the failure to provide for self or failure of the care provider to provide goods or services essential to avoid a clear and serious threat to physical and mental health. As per this law, however, no older adult who does not consent to the protective services shall be found to be neglected solely on the grounds of environmental factors which are beyond the control of the older adult or the caretaker, such as, inadequate housing, furnishi

Proposal designs Seminar Unit 8 Research Paper Example | Topics and Well Written Essays - 250 words

Proposal designs Seminar Unit 8 - Research Paper Example Submitting an inaccurate budget in your proposal packet may mean that the organisation has poor financial management practices or there were inaccuracies when writing the budget. The two main consequences that may result due to these inaccuracies are that the whole proposal may be reviewed negatively and thus the grant denied or the proposal may be sent back to the grantee for corrections on the budget. The consequence here will depend on the materiality of the inaccuracies (Karsh & Fox, 2009). Funders like to imagine that they are funding a proposal that will be able to carry on its activities into the future with or without their help. It is therefore important to show how the program will sustain itself after the grant as this shows the funder that their grant will be of future benefit. A sustainable project will show the funder the need for initial funding and this will influence their decision in a positive way (Karsh & Fox,

Development Of Emotional Resilience

Development Of Emotional Resilience What is emotional resilience and how does this develop? What might the consequences be for someone who has this process disturbed? Emotional resilience is not a unitary concept of the self but integral to the multi-faceted, wider process of psychological resilience; retaining homeostatic mental security in an eternally shifting, socially constructed world. Resilience develops through experiential maturation; a dynamic process of adaptation and resistance in the endeavour to maintain social identity within specific hereditary and adaptive cultures. This response proposes that emotion is the core of an embodied individual resilience within relational contexts; therefore to seek conceptual understanding, consideration must be made of biological, behavioural and phenomenological influences on the psychological state. Empirical evidence proposes that the templates of emotional resilience are formed from the first day of a new life (even in uteri) and develop within the attachments of familial and systemic structures, experiencing both positive and adverse environmental factors. This brief insight will offer the reade r some understanding of the specific concept of emotion in our Western world. It will lead to focus on the crucial factor of human attachments as they model individual psychological development, and it will become clear that emotional resilience is part of a development synthesis (Cairns 1979) assimilated into psychological, social and cognitive theories that accumulatively demonstrate the emotional range of culture. When this synthesis is disturbed or traumatised, the concepts of fear or anxiety are experienced and begin an organic protective conditioning that if continual, can become manifested as negative psychological conditions and maladaptive behaviour. In seeking therapeutic efficacy, emotions might therefore be explored in relation to individual needs. The complexity of the social-mind-body assimilation presents a fascinating challenge for reparative treatment; research leading to a modernity of thought and beginning pro-active application of preventative measures through va rying social programmes. What are emotions? From early philosophical consideration to date, emotion has been viewed as an interference with rationality; an echo of pre-sapient expression. Darwin (1872)  [1]  introduced the concept of emotion in The expression of the Emotions in Man and Animals as he defined specific emotions finding expression through facial movement and overt behaviour. William James (1884)  [2]  extended this perspective in an article in Mind as he proposed this as a result of a prior, emotional neural signal; the feeling of physiological change Is the emotion. James Lange (1890)  [3]  developed this hypothesis further defining the first systemic theory of emotion, proposing three stages of emotional elicitation and physiological response: a presented emotional stimulus arousal in the autonomic nervous system physiological feedback leading to experience of an emotion In adverse extremity, we might acknowledge this as the basis of the fight or flight stress response, however this concept was extended by the Cannon-Bard Theory (1929)  [4]  as it specifically identified the hypothalamus of the brain to be the organ that activated physiological changes. Whereas the James-Lang Theory argued that human experience of emotion depended on preceding bodily changes, the Cannon-Bard Theory claimed that emotional experiences and bodily changes are independent. Early thought therefore understood resilience to be embedded in neurological physiological states. These proposals held historical behavioural cognitive validity, however there was no clarity of how an emotional situation actually activated the thalamus, i.e. how did the cognitive system detect that a stimulus was threatening or innocuous? The question remained: do individuals experience emotion based on their bodily perception, or are there specific emotional neural patterns which respond to envi ronmental events that result in physiological and visceral expressions? Perhaps the fulcrum of research was Schachter (1922 -1977)  [5]  as he proposed that only a general stage of visceral arousal was necessary for the experience of emotion and the individual would present the experience in the language of cognition, i.e. thought, past experiences, environmental references. Historical witness gave rise to Schachters James theories taken in accordance; as visceral arousal being essential for emotional experience but the manifestation of the emotion dependent on the cognitive, perceptual evaluations of external environment. To connect our animal nature with the world in which it is embeddedemotions respond immediately to the truth of things. They are the most alert form of attention. Disgust turns away from decay, fear warns of danger, desire recognizes beauty and pity responds to need. Hillman (1972) The psycho-biological and social perspectives are therefore implicit to the concept of emotional resilience within experiential processes. Drever (1964) stated that emotion is a complex state of the organism, involving bodily changes of widespread character in breathing, pulse, gland secretion etc. à ¢Ã¢â€š ¬Ã‚ ¦and on the mental side, a state of excitement or perturbation, marked by a strong feeling, and usually an impulse towards a definite form of behaviour. Intrinsically connected the neurological and physiological systems create behavioural responses, evoking feelings and thoughts subsequently manifesting as learned behaviour and leaving a residue of experience. Drevers analysis alludes to trans-theoretical components which could initially be assumed to be in contextual concordance; cognitive, physiological, experiential, expressive and behavioural. These assumptions are integral to the research of Schachter Singer (1962) and their cognitive labelling theory  [6]  ; two f actors proposed as essential for emotional experience: high physiological arousal (neuro-psychological) emotional interpretation or label of the arousal, e.g. fear, pleasure, anger, (expressed through culturally shaped language). Critique could hold these assumptions as simplistic when considering Craske Craigs (1984) study of performing pianists, which typically found a lack of concordance of components during adverse situations. Whilst stress measurements of an individual component correlated significantly, trans-component measurements reflected little concordance, amplifying the complexity of emotion and its development of resilience. Why therefore can an individual appear to be very anxious or angry when one component of emotion is considered, but not when a different one is assessed? If the components were in correlation with each other, a singular measurement would only be necessary to understand an individuals emotional state. This observed lack of correlation supports consideration of integrative theoretical perspectives, as individuals have unique systemic foundations and neurological processing modalities. If as so far theoretically proposed, the origin of an emotion is an inherently organic and genetically pre-determined reaction to a stimulus; if the stimulus is adverse, how long can negative psychological impact be sustained without harm? Concepts of emotions and resilience are therefore embedded in a dynamic and interactive process of environmental interaction and socialisation, leading to a phenomenological consideration of experience. Phenomenological consideration reveals a diversity of emotional states identified at an experiential level. Mauss (1872 -1950)  [7]  and Mead (1901 -1978)  [8]  proposed individual minds to be penetrated by social and cultural practices; internal representations creating a dynamic view of the self. As we consider the socio-biological/cognitive proposals, it seems emotions are an individuals indicator of their human state in society and crucial to the defence of the self; therefore what of psychoanalytical thought? Freud purported emotions as a biological function, manifested as neuroses originating inner desires ; Jung (1875-1961)  [9]  proposed an archetypal self care system; for Adler (1870-1937)  [10]  self defence was socially based in the drive for success; existentialists such as Heidegger (1972)  [11]  and Kierkegaard (1960)  [12]  propose emotions as exposure of the threat of non-being; Ekman  [13]   Davidson  [14]  (1994) the evolutionary forc e that enables us to adapt to our life tasks and Hillman (1972),  [15]  emotions as symbols representative of the holistic pattern of the soul (Freshwater Robertson 2002). Is an individuals consciousness and internal world therefore systemically distorted to avoid anxiety? Within the psychodynamic realm, it seems individuals are not rational truth-seekers, attempting to accurately interpret the world, but defensive beings who distort reality in the avoidance of psychological pain. Within the interactive subtleties of the individual and social environment, two areas of thought occur in consideration of disturbed emotional resilience; the relationship with sustained, negative environmental forces and the impact of sudden trauma. Emotional resilience One of the most profound sources of anxiety is evoked through fear of a loss of identity or fragmentation and loss of self. The self evolves from birth as emotions develop from pre-verbal experiences, many of which are paralleled with another human being; the mother or primary care giver. Through the development of emotional resilience the crucial impact of attachments as familial and social interactions are internalised, not only to form emotional templates, but also the raw material of the self. Resilience of the self evolves if relations are stable; if not individuals will struggle to create a secure internal version of reality that enables assimilation with the external world. In healthy psychological development, everything depends upon a gradual humanisation and integration of the archetypal opposite inherent of the self as the infant and young child wrestles with tolerable experiences of frustration (hate) in context of a good-enough (not perfect) primary relationship.in as much as the traumatised child has intolerable experiences in the object world, the negative side of the self does not personalise, remaining archaic.the internal world becomes menaced. Kalsched (1996) Integral to the narrative of attachments, and the phenomenological experience fundamental to emotional resilience, Rothbart Ahadi (1994) proposed the element of genetic temperament. Encompassing differences in reactivity and self-regulation within a conjoint physiological and psychological concept, they identified the behavioural scales of surgency/extraversion (high intensity, pleasure v. impulsiveness and shyness); negative/affectivity (discomfort, fear v. satiability comfort) effortful control (inhibitory control, attentional focussing v. perceptual sensitivity). The first two dimensions of infant temperament; fearfulness and irritability correlate with childhood and adult dimensions of negative affectivity or neuroticism and reflect a parallel proposal to Eysencks (1916 -1997)  [16]  theory of arousal systems and the correlation with extraversion and introversion. Rutter Quinton (1984) found that children with heightened negative temperament and low malleability were like ly to elicit irritability and hostility from their parents; the formation of a negative attachment cycle. Rutter (1990) further suggested that this reflected a pattern in which the childrens attributes make them a focus for discord[increasing] the probability that exposure will set in motion a train of adverse reactions that will prolong the risk. Such cyclical behaviour leads us to note the socially constructed self formed through familial scripts and systemic legacies of beliefs and interaction; therefore as personality traits are considered, a set of variable responses may be interpreted as internalised habitual behaviour, thoughts, values, needs and goals. In the search of self, inner reflection arouses further emotions that might lead to additional adaptations, both negative and positive. Satinoff (1982) summarises; an organism behaviour at a particular time depends on the state of its nervous system, the stimuli in its immediate environment, its past individual history and the evolutionary history of its species. This analysis can be applied to the development of attachment as Bowlby (1969)  [17]  noted that adaptive function of proximity maintenance in the protection of human young, and simply identifying humans as social species therefore suggests the evolutionary functions of systems serve to keep individuals physically and emotionally close to others. If formulated on secure systemic attachments, there will be resilience of self; if conversely formulated on dysfunctional, avoidant or anxious attachments, emotional resilience is jeopardised. Social scripts and dogmas of early life, such as men dont cry can become exemplars of inappropriate relational paradigms which lead to conflict of an instinctual demand of attachment behaviour being socially accepted. When internalised distorted scripts remain active in the unconscious, they might severely restrict an adult ability to express emotion. The parody revealed is that through the formations within a psycho-social and behavioural paradigm, individuals who evolve within a negative or abusive environment, despite the continual experience of pain and anxiety, often continue to seek such relations and environments perpetuating the projective cycle of negativity with exposure to the risk of psychopathological development. Freshwater Robertson (2002) highlight the specific pathogenic personality of the parent(s) and the specific pathogenic atmosphere in which the child grew up that account for mal-developments, fixations and unsolvable inner conflicts characterising the adult personality; the correlation reflecting the breakdown in emotional resilience. Manifestation might then be seen in conditions such as social disorders, substance or alcohol abuse, obsessive compulsive disorder, depression, and in the extreme psychosis. What of the impact of sudden trauma? We are aware of the physiological response of the autonomic nervous system, however the psychological impact is not easily assessed as this is dependent on the formulated emotional resilience of an individual. Jung (1929) stated that certain complexes arise from painful or distressing experiences of an emotional nature leave lasting psychic woundsoften [crushing] valuable qualities in an individual. All these produce unconscious complexes of personal nature..others come from quite a different source.the collective unconscious.  [18]  The historical Western script in relation to psychological pain has been to ignore it; to get on with life. There has to be an element of stoicism to return to functional life; however the psyche is powerful in demanding remembrance of pain as poignantly recorded in the recent memorial to the liberation of Auschwitz 65 years later: So I was hiding out in the heap of dead bodies because in the last week when the crematoria didnt function at all, the bodies were just building up higher and higher. So there I was at night time, in the daytime I was roaming around in the camp, and this is where I actually survived. Bart Stern  [19]   Social scripts are changing but some denial still exists in corners of Western culture. Theorists have suggested that in the desire to block psychological pain, or to control or avoid emotional responses in accordance to this legacy of the collective unconscious, an emotional numbing becomes an automatic process; evoking symptoms of disinterest, detachment or denial. Avoidance of emotional material is thought to be a central factor in negative outcomes such as post traumatic stress disorder (PTSD). The emotional processing model proposed by Foa Kozak (1986) and the relational construct theory of human learning (Kelly 1905 -1967 )  [20]  give some insight to the effect and symptoms of PTSD. The theories account for the generalisation of trauma cues within learned behaviour, of memories of trauma and experiential and external, emotionally associated responses. Avoidance of emotion can lead to paradoxical increases in emotional experience; suppression of thoughts leading to target- related anxiety, i.e. situational factors. The crucial note of Jungian theory is that traumatic emotional experiences can remain in the psyche by becoming autonomous and adopting characteristics of their own, which can then dominate or even possess the conscious ego (Roemer Borkovec 1994). Following trauma, concealment of emotions has also been associated with diminished memory for information and cognitive ability interfering with an individuals ability to engage adaptively with the environment. Therapeutic efficacy in the maintenance of emotional resilience The complicity of factors relating to the disturbance of emotional resilience continues as a focal height of research. Salters et al (2002) highlighted areas of theoretical empirical evidence gaining credence in the link between and emotionally avoidant perception, social interaction and, in the area of therapeutic efficacy, the experience of clinical anxiety. Plagued by definitional and methodological challenges, the study of emotional resilience holds complex phenomena; however cross-theoretical approaches now contribute to holistic understanding. Craske Zucker (2002) proposed models for psycho-social interventions as they highlight several of the specific factors discussed that affect emotional resilience; anxiety, familial transmission, temperament, life stresses and co-morbidity. Their research focussed on buffer factors of emotional resilience through concepts such as hardiness and social support. Seligman (2000) had emphasised the importance of optimism as Rutter (1995) outl ined five categories of protective factors: reduction of adverse experiences, reduction of negative chain reactions, promotion of self esteem and self efficacy; the opening of positive opportunities and the positive cognitive processing of negative experiences. Davidson (2000) clarified these as a broad constellation of processes that serve to amplify, attenuate or maintain the strength of emotional reactions. It is identified that anxiety disorders are most likely to develop during critical developmental stages, dependent on the resilience of the emotional templates; (Blehar 1995) transitions such as adolescence and mid-life could therefore be crucial times for the support of a proactive-developmental-ecological approach (Winett et al 1989). Conclusion The area of research into emotional resilience is self perpetuating and too vast to address comprehensively in this short response. It is therefore hoped that some insight is offered to the complexity of emotions as structured phenomena, and resilience as the dynamic component of this. It has reflected a trans-theoretical combination of psychotherapeutic thought, and presented the evolution of human emotional resilience to be a synthesising process that demands positive adaptation to lifes adversity. Crucial to the maintenance of healthy emotional resilience within social interaction is the exposure to, internalisation of, and management of positive and negative stimuli. Emotions are not merely feeling states but internal states that when disturbed, the distinction between the collective and individual unconscious becomes obscured creating internal distress and continues to reflect what Jung described in1912 as the problem of our time. The Gestalt perspective exemplifies the struggle to address this problem and maintain a healthy emotional resilience as it presents the human psyche and body to be an organic function and ultimate experiential unit (Perls 1969).  [21]   I do my thing you do your thing. I am not in this world to live up to your expectations And you are not in this world to live up to mine. You are you and I am I And if by chance we find each other, its beautiful. If not, it cannot be helped. Gestalt Prayer [3209]

The Role of Historians :: essays research papers

The Role of Historians Professional historians spend their lives pursuing the meaning of the past for the present." Everything that exists in today's world has some origin coming from the past. Everything that exists today and seems to be unique of its time has some basis from the past. It is a known fact that history has a tendency of repeating itself, and so to prepare us for the future we need to understand the past. History can give a person an answer to almost everything that is going on in the present, with what we call a historical investigation. History not only states facts but explains disciplines such as sociology, religion, psychology, anthropology and so on. It explains to us why certain events happened, such as the reason why six millions Jews died in the Second World War. The reason history gives us is anti-Semitism. The Nazis were a group that had as a goal to purify the world of what we call minorities and so to keep it a White, straight, Christian world. History explains the evolution of things, people, beliefs, laws and many more in order for us to understand why certain things are the way they are. In this article, we come across a few major points. Each of them is introduced in a very original way. The author uses a literal journey into the past as a means of comparing it to the present. One of the many points is an in depth definition of history related profession. What are they trying to accomplish and how they work to get what they are looking for. "Professional historians spend their lives pursuing the meaning of the past for the present." Historians study facts and records that previous generations have left, to find out what kind of lives they led and how they solved their problems. The way a historian works is very determined and simple to understand. A historian needs to first choose an important question he wants to answer. Then he needs to find research on the subject that already exists and which he can get access to. Next he has to judge the source that he has obtained, is it credible? Is it genuine? The article explains that there are two basic forms of historical evidence that exist, primary and secondary. Primary evidence records the actual words of someone who participated or witnessed the events in question. Or it can also be newspaper accounts, diaries, official statements, photographs, videotapes. Secondary evidence, on the other hand, records the findings of someone who did not observe the event but who investigated primary evidence,